La Trasca (source: Protocols de Madrid) |
The legend claims that this monster, called La Tarasca, was
originally found in France on the Provence-Alps region and has always been
connected to Saint Martha, who was able to dominate the mythological beast, but
once it was controlled, the locals decided to kill the monster at night and
this is when this part of France will be Christianized.
For the people of Madrid la Tarasca was once a unique thing
related to the procession of the Corpus Christi, when the figure went on the
streets to entertain and amuse the locals, and was well known for its ugliness
and rudeness:
“There was like a
massive snake fully covered by scales, monstrous belly, long tale, horrible
eyes and open jaws” it will be the horrible ugliness versus the great
beauty, the greatest deformity against the glorious body.
On top of the monster there would be a woman riding with
gorgeous elegant clothing representing the whore of Babylon. Interesting fact
was that this clothing would work as an anticipation of the fashion to come.
La Tarasca for the procession Corpus Cristi in Madrid, 1675 |
Every theme in La Tarasca for Corpus Christi was different and
beard special message: one year it was the whore of Babylon playing the flute, another
year there were four women on top of the monster with whips, punishing the
flesh of other sinner women... The artist who created La Tarasca would make a
drawing for the town hall so they could get the money to build it, so this
creature becomes a gadget, a machine on top of a platform with wheels in which
interior some men now and then activate some springs so the snake would grows
its neck and steal the hats from people.
Commoners of Madrid had a blast with this procession; for
them it was a moment of joy and fun, a moment of grotesque and criticism at
same time, a moment to laugh or to imagine the supernatural. Monsters like Tarasca or dragons through
medieval ages were something people would chat about and would pass the stories
about from one to another.
In 1722 other times arrive in Spain, especially with our
King Carlos III, which decide, that this medieval tradition should be removed
as profane – no more dances in front of our Lord, no more mystery plays and
then no more Tarasca, the joy and colorfulness return to the deepest
orthodoxism and significance of the liturgy.
Sources:
- Cronicas de Madrid, 1990
- Biblioteca digital del Patrimonio Histórico del Ayuntamiento de Madrid